Regarding his unique style of approaching a project, Cole says, “I am fortunate in that my clients trust my judgment and experience to create the best possible end product for them. I’ve assembled the best possible tools, and my clients have come to realize that I can provide efficient alternatives to the traditional approach to post sound.”


During the course of his career, Cole has worked on hundreds of television programs, studio and independent feature films, special venue presentations, corporate projects, and more. He has contributed audio post to such TV shows as “Futurama,” “The Simpsons,” “The P.J.’s,” “Northern Exposure,” ”Behind the Music,” the animated “Hellboy,” “Kid Notorious,” and “Maxx Headroom,” to cite just some.


His film work includes credits on a variety of studio and indie films, including titles such as “Barnyard,” “King Leopold’s Ghost,” “Ellie Parker,” “Father G and the Homeboys,” and the Oscar winning documentary film “The Panama Deception.”

Among Cole’s other honors include several Monitor and Golden Reel Awards. Beside his three Emmy Award wins, he was also Emmy Award nominated an additional five times. He is a member of IATSE Local 700 and has been profiled several times in POST Magazine.

Peter Cole is a 30-year veteran of the audio post industry in Hollywood. He is the winner of three Emmy Awards, either for “Best Film Sound Editing” or “Best Film Sound Mixing,” for his work on the acclaimed “Pee Wee’s Playhouse” television series. Prior to launching Before Noon, Cole had worked for such major audio post production companies as Skywalker Sound, Post Logic, The Post Group, and his own Pirate Post.

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